The ARRI Amira is a robust and ergonomic camera designed for documentary, factual, and corporate productions. It features the same Super 35 sensor as the Alexa Mini, delivering ARRI’s signature image quality with 14+ stops of dynamic range and natural skin tones. Recording directly to CFast 2.0 cards in ProRes, with built-in motorized ND filters and excellent low-light performance, it offers efficient workflows and cinematic results for run-and-gun shooting.
Overview
- ALEV III Super 35mm CMOS Sensor
- Records up to 4K UHD ProRes or 2K ARRIRAW (via external recorder)
- 14+ stops of dynamic range
- Native 800 ISO with strong low-light capability
- Internal ProRes 422 HQ, 4444, 4444 XQ recording to CFast 2.0 cards
- Built-in motorized ND filters (0.6, 1.2, 2.1)
- Ergonomic, lightweight design for shoulder-mounted operation
- Integrated multi-channel audio
- Interchangeable lens mounts (PL mount standard)
1x Amira Sliding Top Handle
1x ARRI MVF-1 for Amira
2x ARRI Amira Antenna
1x ARRI WPA-1 Wedge Plate Adapter
1x ARRI LDS PL Mount
1x VCT-14 Quick Release Tripod Plate
1x ARRI BPA-3 Bridge Plate Adapter
1x ARRI BP-8 Bridge Plate
1x ARRI Dovetail Plate 300mm
2x 15mm Rail (Short)
2x 15mm Rail (Long)
2x 19mm Rail (Short)
2x 19mm Rail (Long)
1x Mini USB Stick for ARRI Cameras
1x ARRI Amira Wet Cover
1x Stereo Top Mic
1x Sony Headphones
1x Ronford-Baker Moose Bars Kit
4x 256GB CFast 2.0 Memory Card
1x CFast 2.0 Card Reader
1x ARRI Amira Case
1x Cine Camera V-Lock Battery Kit
Optimising for Handheld & Documentary
Embrace the Amira’s ergonomic design, which is optimised for comfortable shoulder-mounted operation. This makes it an ideal choice for extended handheld shooting in dynamic, unscripted environments, ensuring agility and fast setup.
Leveraging ARRI Image Quality
Trust in the Amira’s ALEV III Super 35mm sensor to deliver the renowned “ARRI Look” with its natural colour rendition, pleasing skin tones, and 14+ stops of dynamic range. This ensures seamless intercutting with footage from other ARRI cameras.
Efficient Internal Workflows
Streamline your post-production by recording directly to CFast 2.0 cards in various Apple ProRes formats (ProRes 422 HQ, 4444, 4444 XQ), up to 4K UHD. This provides high-quality, edit-ready files immediately, reducing transcoding needs.
Integrated Workflow Enhancements
Utilise the built-in motorised ND filters (0.6, 1.2, 2.1) for quick exposure adjustments without interrupting your shot. Also, take advantage of the two integrated XLR inputs for high-quality multi-channel audio recording directly into the camera, creating a more self-contained package.
Durability & Lens Versatility
Rely on the Amira’s robust construction for demanding field production. While it comes standard with a PL lens mount, explore interchangeable adaptors (e.g., Canon EF) to expand your lens options and achieve diverse visual styles.