The Sony Venice 2 is an adaptable full-frame cinema camera designed for high-end productions. It features an 8K sensor block that delivers a wide dynamic range and clean images in low light, thanks to its dual base ISO. The camera can record high-quality codecs internally without the need for an external recorder. Its modular and compact design, along with a built-in ND filter system, makes it a versatile choice for a range of cinematic applications.
Overview
- Interchangeable 8.6K full-frame or 6K Super 35 sensor blocks
- 16 stops of dynamic range on the 8.6K sensor
- Dual base ISO (800/3200) for clean low-light capture
- Internal recording of X-OCN and 4K ProRes 4444/422 HQ
- Built-in 8-step mechanical ND filter system
- Compact and modular design for flexible rigging
- PL mount with support for Cooke/i and ZEISS eXtended Data
- Fast sensor readout speed for reduced rolling shutter
1x Sony VENICE 8K Sensor Block
1x VENICE / Burano PL Mount
1x Sony AXS-R7 RAW Recorder
1x ARRI Top Plate for Sony VENICE
1x ARRI CCH-4 Camera Handle
1x Sony DVF-EL200 EVF
1x Sony Venice VF Attachment Rod
1x ARRI Plate for Sony Venice (K2.0017137)
1x ARRI Broadcast Shoulder Adapter-Sony Venice 1/2
1x ARRI BP-8 Bridge Plate
1x Wooden Camera D-Box for Sony VENICE
1x Wooden Camera D-Box Power Strip
2x 15mm Rail (Long)
2x 15mm Rail (Short)
2x 19mm Rail (Long)
2x 19mm Rail (Short)
1x ARRI Dovetail Plate 300mm
1x A Box for Sony Venice 1/2
1x Wooden Camera AIR EVF Extension for DVF-EL200
2x Sony 256GB/240GB SxS PRO Memory Card
1x SxS Card Reader CR3
3x 512GB S48 AXSM Memory Card
1x AXS AR-1/AR-3 Reader
1x Ronford-Baker Moose Bars Kit
1x Sony Venice Case
1x Cine Camera V-Lock Battery Kit
2x 4-pin XLR Power Cable
Experiment with the Dual Base ISO
The Venice 2’s dual native ISO is one of its most powerful features. The 800 ISO setting is ideal for daylight, while the 3200 ISO setting allows for clean, low-noise images in low light. Using the native ISOs will provide the best possible signal-to-noise ratio and dynamic range from the sensor
Utilise Internal ND Filters
The motorised, built-in ND filters are a significant time-saver on set. Instead of swapping external filters, you can quickly adjust exposure in changing lighting conditions, which is especially useful for a run-and-gun documentary or a fast-paced commercial shoot.
Embrace the Sensor’s Dynamic Range
With up to 16 stops of latitude, the Venice 2 can capture a vast range of tones from deep shadows to bright highlights. When exposing, consider protecting your highlights, knowing that you have plenty of detail available in the shadows to recover in post-production.
Consider the 8K Sensor for Versatility
Shooting in 8K provides a huge amount of flexibility for 4K and 2K projects. You can crop, stabilise, or re-frame shots in post-production without a significant loss of resolution, which can save time on set.
Focus on the Sony Colour Science
The Venice 2’s colour science is known for its film-like feel, natural skin tones, and rich colours. While grading, you can often start from a very good place with minimal adjustments needed to achieve a pleasing final look.
Optimise for Rigging
The camera’s compact body and modular design make it adaptable for various setups, including Steadicam, gimbals, or cranes. When rigging, remember to take advantage of its multiple mounting points and smaller footprint compared to many other high-end cinema cameras.